![]() His first release, Songs for a Tailor (1969), was confident enough, but it is Out of the Storm (1974) that continually fascinates. The partnership with Brown continued into Bruce’s bumpy solo career, which was frustrated both by public expectation and Bruce’s drink and drug problems. He and Baker’s relationship was fractious from the start, and the pair were not above onstage scuffles, but musically the combination was exciting. ![]() He was recruited into Alexis Korner’s Blues Incorporated, and from there, along with Korner and Baker, joined the Graham Bond Quartet. He then toured with a big band before moving to London in the early 1960s to immerse himself in the jazz scene, which was soon to go head to head with the burgeoning pop movement. At Bellahouston Academy he learnt cello until he was big enough to handle the double bass, then won a place at the Royal Scottish Academy of Music and Drama, but he was already such an adept player that he was earning more than his teachers by playing in ballrooms by night, something scandalous enough to get him expelled. Forever winning competitions, one of which earned him the encouragement of the composer Herbert Howells, he sang in the Sunday School Socialist Choir, and also performed in operas with the Carl Rosa Company. As well as plonking on the family piano, Bruce was soon recognised as having quite a singing voice.
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